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Monday, November 29, 2021

Indus River threatened by climate change

 By Abdul Qadir Qureshi 

(Pakistan News & Features Services)

Pakistan is fifth on a list of all countries most vulnerable to climate change and rising temperatures are already affecting the Indus River, a lifeline for people across the country, mapped in a moving film Vanishing Wetlands. 

The Indus River is one of the world’s longest rivers. It flows through parts of China and India, and runs through Pakistan sustaining the livelihoods of millions of people. 

The combined effects of growing pollution, the building of dams, and the permanent melting of glaciers, which provide up to 80 percent of the river’s water during the dry season, are all having an unprecedented impact on the region’s environment, health and quality of life. 

In Vanishing Wetlands, Pakistani filmmaker Abdullah Khan tells the story of farmers dependent on the river and the age-old fishing community, the Mohanas, whose very existence on Lake Manchar is threatened. Along the way, the film profiles the stunning central Indus wetland complex which supports seasonal bird flyways and rare crocodiles and deer species.

“The drastic decrease in visiting migratory birds, the loss of 90 per cent of the hog deer population, almost complete wipe out of mugger crocodiles and threats to the Indus River wetlands is an eye-opener. Equally depressing is to witness the loss of age-old cultures and communities struggling for livelihood,” Abdullah remarked. 

Wetlands is part of Voices from the Roof of the World, a series of 10 environmental documentaries, produced by filmmakers from Pakistan, Kyrgyzstan, Tajikistan and India under a joint initiative by Aga Khan University, Aga Khan Agency for Habitat, Aga Khan Foundation and University of Central Asia. 

The series focuses on the climate crisis in the earth’s highest mountain region from the Pamirs to the Himalayan mountains. Home to 240 million people and countless rare and endangered species, these mountains are also the largest depository of ice outside the polar ice caps, providing water to a quarter of the world's population. 

“With VRW support and tutelage, these filmmakers have captured poignant personal stories of people and cultures threatened by both deluges and desiccation of their environment. They have ventured downstream to document how the melting of the Himalayan glaciers will affect 1.5 billion people living in the threatened fishing and farming communities of South and Central Asia. Others will show how deforestation, air pollution and killer heat waves will make the world’s most densely packed cities unlivable,” Andrew Tkach, Executive Producer of the series, stated. 

“There are many culprits to share the blame for the predicament humanity finds itself in, but with every target we miss to control CO2 emissions, we are squarely painting a target on our own back. It is time to show that even in a world beset by intractable conflicts and it is possible to work across borders and social strata to save our common home. People living in some of the world’s most extreme conditions are fighting this battle every day, it is time we listen and learn from them,” he stressed. 

The VRW series, which will run for at least two seasons, seeks to amplify the voices of those who have borne the greatest burden of climate change.

Sunday, November 21, 2021

Former APP bureau chief passes away in road accident

 By Abdul Qadir Qureshi

(Pakistan News & Features Services)

Masood Sattar Khan, a former bureau chief of the Associated Press of Pakistan (APP) in Karachi, who died in a road accident a day earlier, was laid to rest at the Askari-IV Graveyard on November 20. 

His Namaz-e-Janaza was offered at Jamia Masjid Ahsan-ul-Uloom, housed in Block 2 of Gulshan-e-Iqbal. The funeral prayers as well as the burial were largely attended by the APP staffers, his former colleagues, friends and relatives. 

During his long journalistic career, Masood Sattar was also posted in Beijing, China, as the APP correspondent. Post-retirement, he continued writing and reporting and he was one of the regular contributors to the Pakistan News & Features Services (PNFS). 

According to the family sources, he met with a fatal road accident near Awami Markaz on Shahrah-e-Faisal on the morning of November 19 and he could not recover from the serious head injuries.

Monday, November 15, 2021

NLA to join hands with KIBF

 By Abdul Qadir Qureshi 

(Pakistan News & Features Services)

The National Library Association (NLA) has decided to join hands with the management of the Karachi International Book Fair (KIBF) in holding the event now rescheduled to be held at the Karachi Expo Centre from December 30 to January 3. 

A delegation of the NLA, headed by its President, Syed Muzaffar Ali Shah, will soon be meeting the top functionaries of the KIBF to formally volunteer its services for the biggest book event of the country which is being organized after a gap of two years. The NLA desires to play its role in engaging the librarians more actively at the KIBF. 

The decision in this regard was taken at a meeting of the Association held in Karachi on November 13. It was presided over by the NLA Advisor, Syed Khalid Mahmood, who is also a Goodwill Ambassador of the KIBF, which is organized annually by the Pakistan Publishers & Booksellers Association (PPBA), since 2005.

“As the truly representative body of the working librarians, the NLA finds itself in a good position to promote the KIBF in its fraternity to achieve our mutual goal of spreading book culture in our country,” the NLA Secretary, Anwar Hussain, remarked. 
Meanwhile the NLA, which had come into existence four years ago, has decided to commence the publication its monthly newsletter from the next month and its inaugural issue is set to be launched during the upcoming KIBF. 

Nasir Mustafa, associated with Dawn Media Group for a number of years, has been appointed the editor of the NLA Newsletter while the editorial team would be finalized soon. 

The Information Secretary of the NLA, Younis Hashmi, briefed the meeting about his last visit to Canada a few months ago during which he contacted quite a few library professionals of the Pakistan origin to solicit support for the Association. 

Hira Yaseen, Nasir Nayab, Farheen Mahmood, Huma Mannan Butt, Syeda Najma Sultana, Muhammad Sultan Ali and Abu Bakar Ghori were the other NLA members present in the meeting which lasted around a couple of hours.

Saturday, November 6, 2021

Theatres, streaming may co-exist in future: Hajra Arbab

 By Abdul Qadir Qureshi 

(Pakistan News & Features Services)

Movies remain a massive value creator. Global box office revenues were reported to have totaled $42 billion in 2019, an all-time high, contributing almost one-third of the estimated $136 billion in the value of worldwide movie production and distribution. Hollywood supports more than two million jobs and 400,000 American businesses; British film and TV are worth around £60 million each day to the UK economy. 

The coronavirus pandemic has upended the content pipeline, halting film production and closing cinemas. Film production has restarted in some countries and the industry has adopted remote-work protocols where possible. But the virus creates uncertainty, and the biggest short-term risk seems to be consumers’ dwindling confidence in physical venues. 

Bibi Hajra Arbab, currently working at one of the largest media companies of the world, has completed her masters from San Francisco State University and then moved to Los Angeles. She has worked at various media production and distribution companies over there and the list includes IMAX Corporation, Lionsgate Entertainment, STX Entertainment, and The Walt Disney Company. For a short time, she was also associated Paramount Pictures and NBC Universal. In a recent interview with PNFS, she shared her views and thoughts about current issues of the industry. Excerpts: 

Q: How much did the COVID-19 impact the movie industry? 
A: The industry is on the cusp of the biggest shift in the history of Hollywood. The movie production was indeed hit hard by COVID-19. Theaters and movie sets were shut down for months, causing the US box office to lose $5 billion in 2020. Only 338 movies were released in theaters in 2020, a 66% decline from 2019. 

The number of movies that began production in 2020 declined significantly, taking a 45% drop to 447. The delay in the current slate of movies also puts future movies up in the air. Many studios are focused on managing the logistics of their movies that are currently in production or pre-production instead of actively hunting for new films. That could lead to a sparse pipeline in coming years.  

Q: Is Hollywood completely looking into the streaming model? 
A: With theatres closed all over the world, many movies moved to streaming. Universal Pictures made a deal with one of the theater chains to shrink the time its movies play exclusively in theaters from 90 days to 17. Warner Brothers started releasing its new movies on HBO Max the same day they go into theaters, a move that will extend through at least the end of 2021. 

Disney followed a similar model by releasing some new movies on streaming for an additional cost, and others included in the basic subscription price. 

Q: Will theatres survive in future? 
A: The customers indeed love having access to new releases from the comfort of their homes. One studio released its latest movie in theaters and for premier customers and made more than $20 million on each channel in the first weekend alone which means that this model is working for them. 

Theatres and streaming are battling for customers but many experts believe the two can co-exist. Although movies will likely be released simultaneously or much closer together on streaming and in theaters than they have in the past, watching a movie at home versus watching it in a theater offer wildly different experiences. There are pros and cons to both, but customers will likely continue to want to watch new releases both in the luxury of a theater and in the comfort of their own home. 

Q: How people make their movies and how they expect the movies to be seen? 
A: The flip side is the majority of movies, whether we like it or not, are being consumed at home and it’s not realistic to assume that we’re not going to change, that this part of the business isn’t going to change, like all parts of the business are going to change. 

Q: How do you see future of the film business? 
A: Going forward, what movies look like and how they are consumed could be very different. Larger studios tend to have the resources to fund and market their movies and can take bigger financial risks but independent studios and filmmakers now have the added struggle of finding more funding. At least for the next few years, there will likely be fewer independent films. In the future, more movie studios will expand their animated offerings. 

Q: What kinds of movies seem more likely to succeed in future? 
A: Animated movies for families and adults tend to be easier to produce virtually with animators working from different locations, reducing the need for safety measures. First, the business model is moving from third-party distribution and single-ticket sales towards owned distribution and recurring revenue. This is seen by investments in SVOD services, where a single movie or TV series is rarely a profit driver; rather, recurring subscriptions (and, in some cases, advertising revenue) produce value. 

As a result, media companies no longer optimize releases for fixed schedules, primetime TV slots or popular holiday weekends. Instead, the goal is increased engagement, thereby improving user retention and data on content popularity. The corollary is an expansion of demand for proprietary content. We still have to see how things unfold but one thing I can say for sure that the demand in content is higher than usual, which is a good sign for the Pakistani content creators as well.